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  • Casual Articles - Screenwriter: Casablanca (1942) Deconstructed

    Mortgage Home Equity Loan - Lump Sum Cash for Home Improvement, Vacation and Paying off Bills
    When you need money for improvements to your home, to take a trip or to pay off your bills, there’s no need to worry about getting a loan at high interest rates. If you have been paying off your mortgage and the value of your home has increased, you have equity built up. You can get a home equity loan from the same lender that holds your mortgage or you can go to a different lender. The amount of money you can borrow depends on the difference in what you still owe on your mortgage and the value of your home on the real estate market.Let’s say you paid $200,000 for your home. You still have $100,000 outstanding on the mortgage, but if you went to sell your home, the value has increased to $250,000. This gives you $150,000 of equity. Under the usual home equity loan, you would qualify for 80% of the equity, which is 120,000, but there are also home equity loans, where you can qualify for 125%. This would mean you could borrow $187,500.A home equity loan means you would get this money as a lump sum. Just think of all the improvements you could make to your home with that amount of money. In addition, all the improvements would increase the value and ther
    he bars the Nazi sympathiser].

    • Meeting with the Supernatural Aid / Mentor and receiving a Magical Gift [Rick meets Ugarte, who gives him the Letters of Transit].

    • Hero Tested. Rick given the chance to sell the caf? and leave with the Letters of Transit [Ferrari offers to buy the caf?]; Loyalty of Allies Tested [Sam won't leave despite the salary rise offered to him].

    • Hero's Inner Challenge demonstrated [Rick cannot love women as indicated

    Bookkeeping Tips
    Bookkeeping is the process of maintaining books of accounts involving daily transactions. Bookkeeping indicates the exact position of business finances. Bookkeeping can be done manually or through a computerized system. Manual bookkeeping is doable for beginners and small business firms, but as the business develops, a computerized system of maintaining accounts will be beneficial.When it comes to bookkeeping, there are certain things to be taken care of to run the business efficiently. Firstly, it is essential to maintain an account of income and expenses regularly. You can use either accrual-based or cash-based accounting. In accrual-based accounting, you make note of the incomes when you get them and expenses when you pay them. In cash-based accounting, you make note of the incomes and expenses whenever they happen, not when you get or pay them. In case your business has an inventory, then it is better to go for the accrual-based accounting, and if not, cash-based accounting will do.The financial status of businesses can be known only by regular maintenance of books. Everything that is paid and received must be updated regularly, in case of cash tr
    From our deconstruction of hundreds of Hollywood blockbusters at www.clickok.co.uk/

    The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.

    Understanding this template is a priority for story or screenwriters.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

    and more...

    Sample Movie Deconstructed: Casablanca (1942)

    • FADE IN: visuals and narrative set the context [World War 2, imprisoned Europe , escape to America , Casablanca 's place in the refugee trail].

    • Introduce the Antagonism [the officers round up the usual suspects and nonchalantly shoot a suspect].

    • Characters in this Ordinary World. Back story of this Ordinary World. It's a place to be wary of ["vultures everywhere;" the pickpocket sequence].

    • Visually demonstration of the desire to escape the Ordinary World [the aircraft flying overhead sequence].

    • Meeting the Antagonist and Shape Shifter [Renault greets Strasser]. Reference the Hero [Rick] and the Magical Aid [Letters of Transit].

    • Introduce the Hero's Ordinary World and the allies and characters that inhabit it [we enter Rick's bar].

    • Hero's status [through the impressions and conversations of other people].

    • Meeting the Hero, his nature and capabilities [We meet Rick, he is king of this world with the power to let people in or out; he bars the Nazi sympathiser].

    • Meeting with the Supernatural Aid / Mentor and receiving a Magical Gift [Rick meets Ugarte, who gives him the Letters of Transit].

    • Hero Tested. Rick given the chance to sell the caf? and leave with the Letters of Transit [Ferrari offers to buy the caf?]; Loyalty of Allies Tested [Sam won't leave despite the salary rise offered to him].

    • Hero's Inner Challenge demonstrated [Rick cannot love women as indicated b

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    tations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

    and more...

    Sample Movie Deconstructed: Casablanca (1942)

    • FADE IN: visuals and narrative set the context [World War 2, imprisoned Europe , escape to America , Casablanca 's place in the refugee trail].

    • Introduce the Antagonism [the officers round up the usual suspects and nonchalantly shoot a suspect].

    • Characters in this Ordinary World. Back story of this Ordinary World. It's a place to be wary of ["vultures everywhere;" the pickpocket sequence].

    • Visually demonstration of the desire to escape the Ordinary World [the aircraft flying overhead sequence].

    • Meeting the Antagonist and Shape Shifter [Renault greets Strasser]. Reference the Hero [Rick] and the Magical Aid [Letters of Transit].

    • Introduce the Hero's Ordinary World and the allies and characters that inhabit it [we enter Rick's bar].

    • Hero's status [through the impressions and conversations of other people].

    • Meeting the Hero, his nature and capabilities [We meet Rick, he is king of this world with the power to let people in or out; he bars the Nazi sympathiser].

    • Meeting with the Supernatural Aid / Mentor and receiving a Magical Gift [Rick meets Ugarte, who gives him the Letters of Transit].

    • Hero Tested. Rick given the chance to sell the caf? and leave with the Letters of Transit [Ferrari offers to buy the caf?]; Loyalty of Allies Tested [Sam won't leave despite the salary rise offered to him].

    • Hero's Inner Challenge demonstrated [Rick cannot love women as indicated

    London Web Design
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    isoned Europe , escape to America , Casablanca 's place in the refugee trail].

    • Introduce the Antagonism [the officers round up the usual suspects and nonchalantly shoot a suspect].

    • Characters in this Ordinary World. Back story of this Ordinary World. It's a place to be wary of ["vultures everywhere;" the pickpocket sequence].

    • Visually demonstration of the desire to escape the Ordinary World [the aircraft flying overhead sequence].

    • Meeting the Antagonist and Shape Shifter [Renault greets Strasser]. Reference the Hero [Rick] and the Magical Aid [Letters of Transit].

    • Introduce the Hero's Ordinary World and the allies and characters that inhabit it [we enter Rick's bar].

    • Hero's status [through the impressions and conversations of other people].

    • Meeting the Hero, his nature and capabilities [We meet Rick, he is king of this world with the power to let people in or out; he bars the Nazi sympathiser].

    • Meeting with the Supernatural Aid / Mentor and receiving a Magical Gift [Rick meets Ugarte, who gives him the Letters of Transit].

    • Hero Tested. Rick given the chance to sell the caf? and leave with the Letters of Transit [Ferrari offers to buy the caf?]; Loyalty of Allies Tested [Sam won't leave despite the salary rise offered to him].

    • Hero's Inner Challenge demonstrated [Rick cannot love women as indicated

    Basics of Real Estate
    Real estate refers to immovable property such as land, which also includes rivers or streams that may be part of the land, as well as any physical structures that may be affixed to the land like houses, buildings or commercial establishments.The terms "real estate" and "real property" are often understood to mean the same thing, although in some circles, real property refers to the rights of the owner over the real estate. Both terms are used mainly in common law, which is further divided into property law, the laws that refer specifically to the property, and contract law, the laws which refer specifically to the rights of the person over the property.For centuries, people have viewed land as the primary measure of wealth. Even today, land comprises a large part of the fortunes of the wealthiest individuals and nations. Developing countries who are rich in real estate use this to attract foreign investments that can spur economic growth. However, in recent years, economists have noted that the key real estate investments into developing countries have been derailed by the lack of effective laws to safeguard such investments.The leading source
    Meeting the Antagonist and Shape Shifter [Renault greets Strasser]. Reference the Hero [Rick] and the Magical Aid [Letters of Transit].

    • Introduce the Hero's Ordinary World and the allies and characters that inhabit it [we enter Rick's bar].

    • Hero's status [through the impressions and conversations of other people].

    • Meeting the Hero, his nature and capabilities [We meet Rick, he is king of this world with the power to let people in or out; he bars the Nazi sympathiser].

    • Meeting with the Supernatural Aid / Mentor and receiving a Magical Gift [Rick meets Ugarte, who gives him the Letters of Transit].

    • Hero Tested. Rick given the chance to sell the caf? and leave with the Letters of Transit [Ferrari offers to buy the caf?]; Loyalty of Allies Tested [Sam won't leave despite the salary rise offered to him].

    • Hero's Inner Challenge demonstrated [Rick cannot love women as indicated

    Avail Quick Finance at Low Cost by Taking Online Personal Secured Loans UK
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    he bars the Nazi sympathiser].

    • Meeting with the Supernatural Aid / Mentor and receiving a Magical Gift [Rick meets Ugarte, who gives him the Letters of Transit].

    • Hero Tested. Rick given the chance to sell the caf? and leave with the Letters of Transit [Ferrari offers to buy the caf?]; Loyalty of Allies Tested [Sam won't leave despite the salary rise offered to him].

    • Hero's Inner Challenge demonstrated [Rick cannot love women as indicated by the indifference to Yvonne].

    • Hero's True Nature demonstrated [Rick ensures Yvonne gets home safely].

    • Develop Hero and Shape Shifter relationship [Rick and Renault outside the cafe]. Reference the hero's back story.

    • Foreshadow of the Call to Adventure and the Refusal [Renault refers to Victor; Rick explicitly states his Outer Challenge - "I stick my neck out for nobody."

    • Call to Adventure [Renault explicitly tells Rick not to sell Victor the Letters of Transit; foreshadow of the arrival of Romantic Competitor and Romantic Challenge; on the way to the safe sequence].

    • Develop Hero's backstory and capabilities for the Journey [we learnt that Rick fought for the resistance].

    • Refusal of the Call [Rick refuses to aid Ugarte; "I don't stick his neck out for anybody"].

    • Interdiction [Strasser threatens Rick with his past if he helps Victor].

    • First Threshold. Arrival of the Romantic Competitor and Romantic Challenge [Victor and Ilsa].

    • Foreboding [Sam distressed at seeing Ilsa].

    • Warnings at entering the First Threshold [Ilsa feels they shouldn't stay].

    • Romantic Competitor's status [Berger reveals himself and is "at his service."]

    • Meeting Allies. Romantic Competitor and Romantic Challenge meet the Shape Shifter. [Victor and Ilsa meet Renault]. Referencing the Hero, the coming adventure.

    • Inner Cave. Confrontation between the Antagonist and Romantic Competitor [Victor and Strasser face off]. A future confrontation between them is established [Strasser demands that Victor comes to his office].

    • Fearful of the Journey [Ilsa afraid for Victor].

    • Physical Separation [Victor finds out what Berger knows; Ilsa and Sam recognise each other and talk].

    • Warnings against the Journey [Renault watches over Victor; Sam asks Ilsa to lea

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