(establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story.

and more...

*****Belly of the Whale*****

In the Belly of the Whale, the

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story.

and more...

*****Belly of the Whale*****

In the Belly of the Whale, the

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story.

and more...

*****Belly of the Whale*****

In the Belly of the Whale, the

1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story.

and more...

*****Belly of the Whale*****

In the Belly of the Whale, the

ations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story.

and more...

*****Belly of the Whale*****

In the Belly of the Whale, the

(establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story.

and more...

*****Belly of the Whale*****

In the Belly of the Whale, the hero must do what he needs to do, learns what he needs to do, practices what he needs to do or similar. He engages in that act will serve him or send him to the Road of Trials, where his Old Self will dissolve away. He is preparing for the dissolution of the Ordinary Self. Then he makes the physical crossing where all routes back are cut off - there is no going back.

*****Outer Challenge*****

It is in the Outer Cave of the First Threshold that the Hero will have to undergo a Trial that will make his or her deficiencies obvious. Normally, the Hero is confronted with (but does not conquer) the Outer Challenge. The Supernatural Aid's Magical Gift may help overcome this Trial. In Harry Potter: The Prisoner of Azkaban (2004), Harry has a duel with the Monster Book of Monsters, which he will learn to control later. In An Officer and a Gentleman (1982), Zach swaps bunks and lies, showing his selfishness.

*****Willing or Unwilling Hero*****

Some indication of the Hero's willingness (Willing Hero) or unwillingness (Unwilling Hero) is made explici